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Swing Time is proud to present the legendary Mitch Woods --
boogie-woogie piano man extraordinaire -- who's traveling all the way
from California to appear live at Centro Asturiano on November 15th!
Mitch Woods, along with his band, the Rocket 88's, will kick
the Centro Asturiano ballroom into high gear, as they jump, boogie,
and rock the place like you've never seen! This must-see event
will be full of swingin' high-energy music that'll make you want to
jump up and dance!
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Mitch Woods & His Rocket 88's are the torch bearers
of a great American musical heritage. Taking their inspiration from
the great jump n' boogie outfits of the late 1940's and early 1950's,
they breathe fresh life into the swingin' music that gave birth to
rock n' roll.
Mitch takes his cue from his jumpin' n' jivin',
shoutin' n' honkin', pumpin' n' poundin' predecessors -- Louis Jordan,
Cab Calloway, Wynonie Harris, Amos Milburn, Roy Milton, and Louis Prima
-- just to name a few.
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Mitch's piledrivin' piano licks and energetic stage persona combine with
the Rocket 88's swingin' instrumentals, playful vocals, thumpin' bass,
rockin' guitar, and jungle drums to send every crowd into dancing delight.
With a musical repertoire that combines numerous Mitch Woods originals with some
favorites from the past, the band has forged their own brand of music they call
"rock-a-boogie", due to its combination of R&B, jump, swing, boogie woogie, and
early rock n' roll. Call it Nouveau Swing or what you will, Mitch Woods &
His Rocket 88's distill the essence of these classic American musical
genres, make the music their own, and deliver it to the present!
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Since the band's formation in 1980, Mitch Woods & His Rocket 88's have
recorded six critically acclaimed CDs, and headlined some of the most
prestigious music festivals in the world, including the Montreal Jazz Festival,
the Amsterdam Blues Festival, the Belgium Rhythm & Blues Festival, and
the San Francisco Jazz Festival (appearing 10/23/2002).
The band has
appeared in concert with the likes of James Brown, Stevie Ray Vaughan,
The Neville Brothers, and The Fabulous Thunderbirds.
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In the studio, Mitch Woods has recorded with music greats that include
John Lee Hooker, Ronnie Earl, John Hammond,
the Roomful of Blues horns, James Cotton, and Lee Allen,
to name a few. In many cases, Mitch Woods has actually brought the music
legends together for his own recording projects.
For instance, Mitch recently wrote an album of new songs, modeled
after the 1950's New-Orleans-Style Rhythm & Blues of Fats Domino.
He then brought together the original members of Domino's band, who joined Mitch
to record the new material in what became some memorable studio jam sessions.
You can read the full article that ran in New Orleans' Times-Picayune
(11/23/2000) by clicking this link:
Legendary Artists Put New Spin on Old R&B
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While Mitch Woods finds himself in the middle of the current swing revival,
no one can accuse him of hopping on the bandwagon, as he has been pumping
the piano for over 20 years in the SF Bay area. "For years,
I would always have swing dancers come down to my show. We always swung,"
says Woods. "What people are calling the swing movement, it's really
jump blues, and that's what we've been playing since we started, and
that's why we fit in the swing movement. The best dance music is jump
blues, period."
Mitch Woods has become a modern master of the eighty-eights,
with wry vocals and the thunderous chops that inspired legendary jump-bluesman
Joe Liggins to tag him as "Mr. Rocket 88". Want to know more
about Mitch Woods & His Rocket 88's?
Click here to read his full bio, including a writeup
of the band's latest CD, entitled Jump for Joy!
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WHAT THEY'RE SAYING ABOUT MITCH WOODS & HIS ROCKET 88'S:
One of the top boogie/blues piano men around.
-- Dan Aquilante, New York Post
Woods lays down an authentic 50s-vintage rock piano groove,
comparable in power and rhythmic nuance to classic recordings
by the young Jerry Lee Lewis. -- Keyboard Magazine
Few pianists around have better captured the definitive boogie-blues,
eight-to-the-bar styles of Albert Ammons, Pete Johnson, Otis Spann,
Meade Lux Lewis, ... and all the rest -- Woods is one of them.
-- Philip Elwood, San Francisco Examiner
Mitch Woods... give[s] heart and soul to jump blues....
Woods sings with smooth ebullience and hammers the piano keys with
the unchecked gaiety of mentors Professor Longhair and Amos Milburn.
-- Frank-John Hadley, Downbeat Magazine
San Francisco's Mitch Woods plays it as well as anyone outside
New Orleans ever has.... There's something about the syncopated
bounce of boogie-woogie that lifts one's spirits even as it shifts one's
shoulders and hips.
-- Geoffrey Himes, Washington Post
Piano master Mitch Woods [is] one of the brightest exponents of...
Kansas City boogie-woogie and Chicago blues. Woods also has a fine
touch for New Orleans' piano polyrhythms.
-- Scott Jordan, Offbeat Magazine
Woods has always been able to blast headlong through the inferno
on the strength of his dazzling boogie-woogie chops.
-- Derk Richardson, San Francisco Bay Guardian
Definitely do not miss out.
-- Maureen DelGrosso, Blues Revue
Woods rocks the joint with some of the jumpin'est piano we've heard.
-- Keyboard Magazine
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